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San Francisco Bead and Design Show, Part III

May 21, 2010 by Katrina

Photo by Larry Sanders

If you have been reading the last few weeks you will be aware that the SF Bead and Design Show is taking place this weekend. To highlight the show, we have been running a series of mini-interviews with exhibitors in the show.  You can read the past interviews here and here.

This week’s mini-interview is with Candice Wakumoto a Hawaiian resident who works in silver clay and is greatly inspired by the beauty of her surrounding.

KM – When and how did you start working with silver clay?

CW- I discovered silver clay approximately 10 years ago. My husband noticed an advertisement for a class at our local art academy. The teacher was from Japan and she had a workshop featuring silver clay. I was intrigued. A year later I took the workshop. It gave me an opportunity to check out this new medium. Everything since then has been self taught.

KM – How  do your surroundings inspire your work?

CW- Hawaii’s natural beauty defintely influences my work. I love using foliage, insects and flowers as motifs.
KM – What other jewelers to you admire?

CW-  One of my favorite jewelers is Barbara Bixby. I really admire her desgins, attention to detail and meticulous workmanship. I own several of her pieces.

KM- Are there any everyday objects or non-typical tools that you find indispensable in your work, and if so, how do you use them?

CW – I do use objects such as straws, dental tools, and clay tools. I find that the best everyday tools are my hands – whether it’s my fingertips to smooth a bump or the back of my fingernails to seal a join.

KM – Are there any new materials that you would like to try and work with?

CW –  My next project is to add more color to my pieces. I have some things I found in Tucson that I have yet to try out.

You can visit Candice during the show at booth #B124 or contact her by email at [email protected].

——-

San Francisco Bead and Design Show, May 21 – 23, at Hotel Whitcomb, 1231 Market Street, San Francisco. 10-6, Fri-Sun, open to the public. More than 150 artists and merchants showcasing: handmade, antique, vintage and contemporary beads, gemstones, designer components, vintage findings, gold & silver, handmade jewelry, cloisonné, ceramics, wearable art, embellishments, textiles, hand dyed ribbons, art clothing, hand painted silks, millinery, embroideries, accessories, collectibles, antiquities, and objets d’art. Along with workshops in jewelry, clay, mixed media and bead making. For more information visit sfbeadanddesignshow.com.

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Have you read?

Book Review Wednesday: The Complete Guide to Trinket Dishes for Beginners

I’ll admit, this one has me slightly torn over where it belongs on CraftGossip — because trinket dishes made from polymer clay sit very neatly in that lovely little overlap between our Polymer Clay blog and our Jewelry Making blog.

Technically, yes, this is a polymer clay project book. But let’s be honest, what do most of us use trinket dishes for? Rings, earrings, necklaces, brooches, little charms, and all those “I’ll put this somewhere safe” pieces that immediately vanish into the craft-room Bermuda Triangle.

So for this week’s Book Review Wednesday, I’m leaning into the jewelry side of things withThe Complete Guide to Trinket Dishes for Beginners, because handmade trinket dishes are such a lovely companion project for jewelry makers. They are practical, pretty, giftable, and a nice way to use polymer clay without needing to jump straight into detailed beads or fiddly earring components.

And really, a handmade trinket dish is one of those beginner-friendly polymer clay projects that feels useful right away. You can make one for your bedside table, one for the bathroom, one near the kitchen sink for rings, one for your sewing room buttons, one for paper clips, one for “miscellaneous tiny things I refuse to throw away” — and suddenly you have made six. That’s crafting, isn’t it?

What I like about the idea of this book is that trinket dishes are a genuinely approachable starting point for beginners. Polymer clay can be a little intimidating when you see all those perfect canes, florals, marble effects, metallic finishes, and tiny sculpted details online. But a small dish? That feels doable. You can roll, shape, texture, bake, sand, paint, glaze, and still end up with something charming even if it is not completely perfect.

In fact, slightly imperfect is often where handmade trinket dishes look their best. A softly uneven edge, a little thumbprint curve, a marbled pattern that wandered off in its own direction — those are the details that make them feel handmade rather than mass-produced.

For jewelry makers, this book also opens up a nice little gift-making path. A handmade pair of earrings tucked into a matching polymer clay trinket dish would make a beautiful birthday gift, Mother’s Day present, craft stall set, or Christmas stocking idea. If you already make earrings or small accessories, a coordinating trinket dish adds that extra “oh, you made the whole thing?” moment, which we do love.

This is also why I think it works so well for the jewelry audience. It is not jewelry in the strictest sense, but it is jewelry-adjacent in the most useful way. It gives makers a way to display, store, gift, and package handmade pieces beautifully. If you enjoy our other jewelry making projects or you have been dabbling in polymer clay earrings, trinket dishes are a natural next step.

I would also cross-link this one from the polymer clay side because readers there will absolutely be interested too. Our polymer clay tutorials audience would appreciate the clay techniques, while the jewelry makers will appreciate the finished use. Honestly, this is one of those books that probably deserves to sit with one foot in each craft room.

The thing I always look for in beginner polymer clay books is whether they help you understand the basics without making the project feel fussy. For trinket dishes, beginners will want clear help with conditioning clay, rolling an even slab, creating clean shapes, adding texture, shaping the dish without cracking it, baking it properly, and finishing the surface so it feels smooth and gift-worthy.

Because nobody wants a ring dish that looks cute in theory but scratches the bedside table or feels like it might snap if you look at it too firmly.

This type of book would suit anyone who wants to make beginner polymer clay gifts, handmade jewelry dishes, ring bowls, small catch-all trays, or craft fair items. It also feels like a nice low-pressure project for a weekend afternoon. No complicated closures, no matching pairs, no tiny jump rings pinging across the room — just clay, shape, texture, and a finished piece that actually has a job to do.

And if you are the sort of maker who saves every leftover scrap of clay, this could be dangerous in the best possible way. Marbled trinket dishes are a perfect way to use up odd colours and little leftover bits from other projects. Much like fabric scraps, clay scraps seem harmless until they form their own ecosystem.

My Shellie-style verdict? The Complete Guide to Trinket Dishes for Beginners feels like a sweet, practical pick for makers who want to try polymer clay in a way that is useful, giftable, and not too intimidating. I would feature it on Jewelry Making because trinket dishes are so closely tied to storing and gifting handmade jewelry, but I would absolutely give it a little nod over on Polymer Clay too.

It is one of those crossover books that reminds us crafts do not always stay politely in their own category. Sometimes a polymer clay book belongs in jewelry making because that is where the finished piece will actually live — holding rings, earrings, charms, and all those tiny treasures we swear we are going to organise one day.

You can find the book here: The Complete Guide to Trinket Dishes for Beginners.

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